> ## Documentation Index
> Fetch the complete documentation index at: https://ponder.ai/docs/llms.txt
> Use this file to discover all available pages before exploring further.

# What carries over to your editing app

Here's what makes it across when you [send your edit](/docs/export/exporting-to-your-nle) to Premiere Pro, DaVinci Resolve, Final Cut Pro or CapCut.

| What | Premiere Pro | DaVinci Resolve | Final Cut Pro | CapCut |
| - | - | - | - | - |
| Media, linked | Yes | Yes | Yes | Yes |
| Slow-motion clips | Yes, exact | Yes, exact | Yes, exact | Yes, exact |
| Clip placement and trims | Yes | Yes | Yes | Yes |
| Zooms and pans | Yes. On rotated clips, a still pose | Yes | Not yet | Yes |
| Speed, scale, fades and volume | Yes | Yes | Yes | Yes |
| Speed ramps | Yes. The picture ramps, and the sound comes in as short steady-speed pieces | Yes | Yes, as true variable speed | Yes, as true variable speed |
| Stabilization | Not yet | Yes | Yes | Not yet |
| Transitions | Yes. Audio crossfades come in as a Cross Fade (+3dB) | Yes | Yes. Audio crossfades come in as a plain fade | Yes, recreated |
| Freeze frames and reversed clips | Yes | Yes | Yes | Yes, as rendered clips |
| Crop | Yes | Yes | Yes | Yes |
| Compound clips | Nested sequences | Nested timelines | Compound clips | Flattened onto the timeline |
| Track names | Yes | Yes | As roles | Yes |
| Muted tracks | Come in as muted clips. Check after import | Come in as muted clips. Check after import | Come in as muted clips. Check after import | Yes, as muted tracks |
| Synced cameras | Multicam sequences, with your angle switches | Nested clips and multicam groups, with the sound on the timeline's audio tracks | Native multicam clips you can re-switch | Flattened. Camera switches become plain cuts |
| Audio | Stereo master. Multichannel files carry only the channel Ponder plays | Multichannel files carry only the channel Ponder plays | Multichannel files carry only the channel Ponder plays | CapCut's own mix of the file. If you picked a channel in Ponder, check after import |
| Color grades | A Lumetri Color effect with a working Saturation slider | A CDL a colorist can push, plus a LUT | A Ponder LUT you can turn on and off | On Mac, a LUT with live Intensity. On Windows, and for HDR clips, a .cube file you apply by hand |
| Titles | Simple ones editable. Complex ones as rendered clips with a transparent background | Simple ones editable. Complex ones as rendered clips with a transparent background | Editable Basic Titles. Complex ones as rendered clips with a transparent background | Built-in templates rebuilt as native text. Complex ones as rendered clips with a transparent background |
| Captions | An editable caption track, built from an SRT | Timeline markers, plus SRT files in the Media Pool that you drag onto a subtitle track yourself | Native, editable captions | Native, editable CapCut text. Kinetic or custom templates come in as rendered overlays |
| Clip label colors | Yes | Yes | As roles | Does not carry over |
| Folders | Yes | Yes | As keyword collections | Does not carry over. CapCut has no bins |
| Frame rate | Matches your timeline | Matches your timeline | Matches your timeline | Matches your timeline |

## Speed ramps in synced cameras

Speed ramps carry over to every app, with one exception: clips inside a sync group come in at one steady speed.

## Titles, captions and graphics

Simple titles, like a plain title that fades in and out, arrive as text you can still edit. Final Cut gets them as Basic Titles, and CapCut rebuilds Ponder's built-in templates as its own text. Anything more involved arrives as a rendered clip with a transparent background, so it sits over your footage but you can't change the text there. If you need to tweak one of those, do it in Ponder before you send.

Captions differ by app. Premiere gets an editable caption track, and Final Cut gets native captions. CapCut gets native text, and its built-in caption templates are rebuilt as native text too. Only kinetic or custom templates come in as rendered overlays. In Resolve, captions arrive as timeline markers plus SRT files in the Media Pool, which you drag onto a subtitle track yourself.

## Color grades

Your grade arrives as an effect sitting on your original footage, not as re-rendered video. Switch it off and you're looking at the untouched clip again.

In CapCut on Windows, and for HDR clips on any computer, the grade arrives as a .cube file that you apply to the clips yourself.


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